Laurence Vély

I work on cultural strategy and brand concepts, on media, and on how leaders speak.
I find your story, give it its shape and tell you where to take it.

Finding who you are

A brand investigation, through interviews

Every brand carries something singular. It lives in a founder’s intuition, in a gesture no competitor makes quite the same way. But it doesn’t always find its words, often because no one inside has had the time to ask the question.

So I ask it. I meet between 5 and 30 people in confidence, from the leadership to customers and staff, and they tell me what they never say in meetings. I also talk to journalists and experts, to place the brand in the culture of its time: what is rising, what is wearing out, where it can become desirable again.

That is what cultural strategy means: finding a brand’s place in the culture, not just in its market.

At the end, I hand you back your mythology, your DNA and the list of what needs to change, fast.

For brands that don’t exist yet, I come in at the concept stage: the offer, the story, the name, the look. And sometimes I believe in a project enough to get involved in another way.

Making it heard

An editorial concept, from the idea to the final cut

Michelin invented a guide to sell tyres and ended up writing French gastronomy. Benetton handed Colors to Tibor Kalman and produced one of the most looked-at magazines of the late twentieth century. General Electric made a fiction podcast, The Message, which became a hit, something nobody expected from a turbine maker.

None of these objects really talked about the brand, and that is exactly why they lasted. Desire is made sideways.

I design this kind of object for brands: a podcast, a magazine, a series, a book. I find the idea, then I see it through. I choose the subjects, the bylines, the angles, and I run the team.

I work with journalists, writers, directors, photographers, illustrators, artists and sometimes sociologists.

From day one, I look at how it will pay for itself. A brand media outlet has no reason to be a money pit.

A media outlet is a living thing. Deciding what goes in, what stays out and in what form, including when the request comes from inside, is my job.

Leaders’ voices

Write, prepare, stress-test

Conducting an interview is not just asking questions. Like therapy, it follows codes and needs a tight frame, and that frame gets you the answers others won’t get. I have conducted more than five hundred.

So I have spent enough time on the other side of the table to know what you will be asked. I write leaders’ speeches and talks in their voice, not mine. Then I put them to the test: I imagine the questions they will face, including the awkward ones, and I ask them before the journalists do.

And I add humour when I’m allowed to.

A few projects

Thune
Thune
Les Déviations
Les Déviations
Vanity Fair
Vanity Fair
Société Générale
Société Générale
Ponant
Ponant
Lancôme
Lancôme
Téléthon
Téléthon
ISSB
ISSB

Some of the brands, media and institutions I have worked with

I started out in journalism.

Laurence Vély

I ran digital newsrooms at Condé Nast, for Glamour and then Vanity Fair, whose digital edition I launched, and the print newsroom of Marie France.

Ten years ago, I became an entrepreneur. In 2019, I launched Les Déviations, an independent media brand that passed 100 million views, and sold it in 2021. Six years ago, I created Thune, an intimate podcast about money. It talks about salaries, inheritance, couples and power, with a sociological rather than financial eye. Thune helped people, women in particular, talk openly about money, and it now gets 100,000 listens a month.

I have conducted more than 500 interviews, in France and abroad: Xavier Niel, Karl Lagerfeld, Jacques Attali, Sarah Jessica Parker, Emmanuel Faber, Idris Elba… and plenty of people you have never heard of.

I work mostly in hospitality, luxury and lifestyle, and occasionally with players in finance, through my podcast Thune.